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Latest record from Weezer sounds better than last album and shows a more comfortable band
A staple among Weezer fans for every new record the power pop quartet releases is: it’s simply not Pinkerton. Released in 1996, Pinkerton was Weezer’s sophomore album, two years after the famous self-titled blue album. It veered into darker musical territory, venturing far from its peppier predecessor. The songs were sonically experimental and lyrically twisted, revealing lead singer Rivers Cuomo’s troubled and fractured mind. Weezer Compared To Past WorkIt was heralded as an indie masterpiece from music critics and fans and produced classics such as 'El Scorcho', 'The Good Life' and 'No Other One'. And it has been a thorn in Weezer’s side ever since. Every album they’ve released since Pinkerton has been compared to the standard it apparently set. It’s really too bad Weezer had to suffer through this. Pinkerton was great, but it is over with. The band has moved on and so should the fans. Moving forward in any direction is vital for the survival of any band. Weezer wisely realized this a long time ago. If they had continued to write songs in the same vein as 'Buddy Holly', 'Island In The Sun' or 'Dope Nose', they could have risked becoming stale or turning into a monotonous power chord band. So they slowly began re-shaping their music like a potter shapes his clay. There were a few uneven creations along the way like Maladroit and Make Believe, but this only served to help the band discover new ways of writing songs. Clocking in at a tight 33 minutes is Raditude, Weezer’s seventh studio album. Released by Geffen Records and produced largely in part by hip-hop producer Jermaine Dupri, the 10 new tracks show yet another side of Weezer. It’s like the Red Album, only way better. They even use a sitar. Raditude Better Than Red AlbumKicking off the record is the refreshingly energetic '(If You’re Wondering If I Want You To) I Want You To'. The up-tempo radio-friendly song starts with a hurried acoustic guitar riff, followed by a catchy drumbeat, Cuomo’s almost spoken word vocals, and a loud group sing-a-long chorus. Another surefire radio single will be 'Can’t Stop Partying', a catchy collaboration with hip-hop artist Lil Wayne. While it isn’t one of the standout tracks on the album, it does highlight Weezer’s willingness to shake the conventional style of writing a rock song. There are only two songs on the album written solely by the original band members: the Cuomo-penned 'Trippin’ Down The Freeway' and drummer Patrick Wilson’s 'In The Mall'. Both are straightforward edgy rock and more of a return to the original sound they began with 15 years ago. Longtime fans will hopefully appreciate these nostalgic numbers. Weezer Return To Roots For A Couple SongsRaditude is an album people will want to listen to over and over. They'll want to play it at parties; in their car on the way to work and whilst doing just about anything else. Weezer is having fun, so why shouldn’t everyone follow their example?
The copyright of the article Weezer Raditude: Album Review in Alternative Music is owned by Sean McMullen. Permission to republish Weezer Raditude: Album Review in print or online must be granted by the author in writing.
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Oct 29, 2009 3:05 PM
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